When I write about Christine, I can’t tell what happened in 1974 that made Christine Chubbuck famous because that would be a spoiler. Christine Chubbuck (Rebecca Hall) was a 29-years-old news reporter for WXLT-TV in Sarasota, Florida. Christine had her own talk show called Suncoast digest in which she talked about local and social interests. But she is always at odds with news director, Michael (Tracy Letts) who would like the newscast to be more sensational and cover murders and crimes (“blood and guts” someone says) to bring in higher ratings. The news that there might be positions opening in Baltimore, brings even more tensions and competition at the station. If that wasn’t enough, she suffers from sharp pains in the stomach, and as a result will have her ovaries removed. It is clear after a while that Christine’s depression is coming back. At times, it comes very close to manic depression. She lives with her mother, but always picks a fight with her. Her incoherent thinking is all over the map: she wants the job in Baltimore, she’s a virgin but wouldn’t it be nice if she finally had a romantic life now, especially before her ovaries are removed because she wants children, she wants that job in Baltimore, she buys a CB radio to listen to police calls and be the first to report it to the news, she needs that job in Baltimore. She does puppet shows for children at a local hospital, but they get increasingly weird and disturbing. There is a yelling match between Christine and Michael where Christine goes too far. There is a ray of hope when the handsome anchor, George Ryan (Michael C. Hall, no relation to Rebecca) invites her out on a date. The screenplay by Craig Shilowich is successfully showing the slow drip of mental illness. It is a relentless enemy. Shilowich and director Antonio Campos sets the film squarely in a realistic mid-1970s, complete with 70s long dresses, 70s pants, 70s hair and moustaches, and a fun soundtrack of songs from the 70s. Christine is such a difficult part to play, with all her contradictions, her mood swings and sudden shifts. Rebecca Hall’s Christine is an unvarnished portrait of a mentally ill woman, warts and all. With the marvellous Tracy Letts as her boss, there is a feeling of watching a harsher and less likable version of Lou Grant and Mary Tyler Moore (from The Mary Tyler Moore show). Lets hope these two will be remembered at Oscar time.
Michael C. Hall