“Rigor of beauty is the quest. But how will you find beauty
when it is locked in the mind past all remonstrance?”

William Carlos Williams, Paterson

The latest Jim Jarmusch film, Paterson, is a lovely film about the joy and love of poetry. The film is about bus driver and amateur poet Paterson (Adam Driver) who lives with his girlfriend, Laura (Golshifteh Farahani), and her taciturn bulldog, Marvin (Nellie), in Paterson, New Jersey. A week in the life of Paterson. The same repeated routine everyday. Waking up at the same time with Laura asleep next to him, eats Cheerios for breakfast, walks to work taking the same streets, everyday his supervisor is unhappy about something in his life. Always. But not Paterson. Paterson is happy. Seems to be. Paterson writes poems in his little notebook. As you hear the poems read aloud, we see the words appearing on the screen. On the bus, Paterson overhears conversations between passengers. One of them is about that time Rubin “Hurricane” Carter was arrested and charged of a shootout at a bar on Lafayette street. At lunch, Paterson sits near the Great Falls of the Passaic river and writes some more. During his day, Paterson sees a great number of twins. At home, Laura is in a constant state of artistic reinvention and designing. She likes to paint on curtains, directly on the material, on the floors, the walls, the dress that she is wearing. She likes to paint circles, like doughnuts or Cheerios, almost always black on white, white on black. It’s all over the apartment. Black dots or circles. She wants to become a country singer and plans to sell cup cakes (black with black and white icing!) at a week-end fair. In the evening, Paterson takes Marvin for his walk. Marvin takes Paterson to the local tavern. Paterson has a nice rapport with the owner, Doc (Barry Shabaka Henly). Paterson also meets a lot of interesting characters. Jim Jarmusch’s probable inspiration is William Carlos Williams, more precisely Carlos Williams epic poem Paterson. In the film we often see a book of his poem. I slowly got immersed into the rhythm of this film. At times Paterson almost feels like you are in a Fellini film (the twins), but I also saw some images that evokes other directors (Hitchcock?) Full of surrealist details, Paterson is greatly helped by production designer Mark Friedberg and Catherine George’s costumes. Frederick Elmes’s photography never draws attention, but the cinematographer has to walk a fine line between the daily life of the main character and the purity of the poetry. He must not overly underline what is already beautiful. Adam Driver is an appealing actor playing an appealing character. It could be bland or boring, but somehow Driver makes it compelling, I think, because he includes us in, like a joke that nobody else would get. Along for the fun ride is kooky Golshifteh Farahani who will get most of the laugh. That’s when Driver and Farahani are not totally upstaged by Nellie.

You should know… The poems written by Paterson are actually by American poet Ron Padgett. Jarmusch chose four of Padgett poems and commissioned three new poems to be used in the film. Water falls, a poem attributed to another character was penned by Jarmusch himself. The winner of the Cannes film festival Palm dog award was Nellie. Nellie had died a few months before the awards. It was the first time that the Palm dog was posthumously awarded.

Rémi-Serge Gratton


Directed by:

Jim Jarmusch

Screenplay by:
Jim Jarmusch

Adam Driver
Golshifteh Farahani
Barry Shabaka Henly
Cliff Smith
Nagase Masatoshi

118 min.

Rated 14A


Leave a Reply

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out /  Change )

Google+ photo

You are commenting using your Google+ account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )


Connecting to %s