“I’m just sick of watching Canadian movies with Canadian actors in Canadian backdrops and then they exchange money and it’s American cash.”
Ottawa born actor, director, screenwriter and producer, Jay Baruchel, Mansbridge One on one, March 2017
Lately, there’s been a lot of discussion on TV about Canadian cinema. Most of the people say that English Canadian films are boring and uninteresting. But to characterize all Canadian films that way, is a disservice to the artists who work so hard to make these films. Bruce McDonald has been making films in Canada for almost thirty years. His latest film, Weirdos, is a sweet coming of age tale. It begins when 15-year-old Kit (Dylan Authors) and his girlfriend Alice (Julia Sarah Stone) decide to run away from home in Antigonish, Nova Scotia , and hitchhike to Sydney, Nova Scotia. This takes place in 1976 during the American Bicentennial weekend. Kit and Alice are pretending to be spending the night at each other’s house. But it’s not long before Dave, Kit’s dad, finds out and is understandably worried. The teens are going to Sydney for an all night beach party. And, for some reasons, Kit wants to go live with his mom. They get lucky when they are picked up by a bunch of friends, who decide to drive with them to Sydney for the party. In the car, Alice witnesses Kit getting closer to Leo (Max Humphreys), the boy sitting beside him. Later at the beach, Alice’s suspicion is confirmed: Kit is gay. After the initial shock, Alice affirms her support for her best friend. Together they go to meet Kit’s mom. Laura, (played with delicately laced hysteria by Molly Parker) it is now clear to us, is suffering from some form of mental instability, and is not the right person to raise a child. Like in most of his previous films, Bruce McDonald has a great selection of Canadian songs everywhere throughout Weirdos. With the film’s innocent outlook and the luminous black-and-white photography (Becky Parsons was the cinematographer), all you need is a songs like Last song by Edward Bear, Carry me by The Stampeders or even Snowbird by Anne Murray to feel you are watching The Andy Griffith show. It does not take much. Kit walks down a country road and one of those songs is playing, and I hear Opie Taylor’s familiar whistling. What I liked about Weirdos is the innocence. The innocence of those black-and-white TV shows, of my teenage years during the 70s. The innocence that is part of Kit’s life and that I hope he’ll never lose. Thanks to Daniel McIvor for his sensitive screenplay and to McDonald for Weirdos and for his contribution to Canadian cinema. Go see Weirdos.
To see… I caught a great interview with Canadian filmmaker Jay Baruchel on (Peter) Mansbridge One on one. Baruchel is as articulate about Canadian culture and cinema as he is on our heritage and hockey. Here is another quote from that interview: “If we were in any other country in the world, it wouldn’t even be a discussion. If someone wanted to make a movie in England that took place in England, no one would ask them why.” Here is a link to that interview:
Julia Sarah Stone