Critics have called director Kelly Reichardt “a minimalist”. She’s as far away from mainstream as you could be, that’s for sure. She has managed through the years and through the films to offer us a singular approach to making movies. Certain women is adapted from three short stories written by Maile Meloy. In the first segment, Laura Dern plays a lawyer who is having trouble with one of her client. William (Jared Harris) wants to get back his disability pension. She has told him that he can’t win, but he insists on getting a second opinion. She’s afraid that William may get violent. The second story is stars Reichardt’s favourite actress Michelle Williams. Williams co-stars with James Le Gros as Gina and Ryan Lewis, a married couple with a teenage daughter (Sara Rodier). Coming back from a vacation, the family stops by to see Albert (the marvellously restrained René Auberjonois), an elderly man they know. They try to persuade him to sell them the sandstones that are lying around on his property. They need the sandstones to build a weekend cottage. But Albert only seems to answer to Ryan. During the trip, Gina realises that their daughter is acting the same way towards her. The third and most powerful segment stars Lily Gladstone and Kristen Stewart. Gladstone plays Jamie, a lonely ranch hand who is tending horses during the winter months. Driving into town one night, she sees people going into the school, and decides to see what is happening. It’s a legal class about school law taught by young lawyer, Beth Travis (Stewart). After class, Jamie befriends Beth. It is clear that Jamie is hoping that something more will happen between her and Beth. As with her previous films, Reichardt does not use dialogue to tell the audience what her characters are feeling or thinking, or what their motivations are. Instead you see them painfully trying to deal with their feelings of helplessness and frustration. Reichardt works outside the box. Certain women is observational rather than the usual declamatory. Not everyone will like it, but I did. Although the three stories are separate, they are thinly weaved together as some characters cross each other’s paths. Williams is the perfect Reichardt player as she portrays Gina’s cold and stoic intransigence, but also her painful self-loathing. But it is newcomer Lily Gladstone who gives the most heart breaking performance. You can almost hear Jamie’s heartbeat as she seeks friendship and love from Beth. It is impossible for Jamie to read what Beth’s intentions are, and Kristen Stewart’s usual acting demeanour is perfectly used here. I should not forget Christopher Blauvelt’s cinematography. He paints Montana’s wintry landscape with earth colors. The least you can say about Reichardt is that she is not your mainstream American director. And that’s fine with me..
Based on short stories from Maile Meloy’s Half in love and
Both ways is the only way I want it
James Le Gros
Rated Parental Guidance