A ghost story has a notion of a ghost that we taught was long gone since the days of the Casper the friendly ghost cartoons. Casey Affleck and Rooney Mara play an unnamed couple. They live a quiet life in a small house where they witness some bizarre manifestation, like noises coming from the piano. What is sure is that they’re in love. Then one day he has a fatal car accident in front of the house. She goes to the hospital to identify the body. After she leaves, director David Lowery leaves the camera on the sheet covered body for an inordinate amount of time, until it suddenly pops up from the gurney. The ghost, a walking white sheet with two black holes for the eyes, start walking around in the hospital halls. It is obvious that it can’t be seen by anyone. A door opens in the wall, for the ghost to leave this earth, I suppose, but the ghost decides to stay and walk over to the house it used to live in when it was alive and… well, not a ghost. The quirkiness of those scenes may cause laughs and guffaws from the audience (as it did with me). But before long it becomes clear that Lowery is dead (pardon the pun) serious. The ghost stands in the house looking at the grieving wife. She can’t see that close to her there is a pile of sheet looking at her. There is a long sustained shot where Mara sits on the kitchen floor and binges on a pie. The whole pie! Rooney Mara is incredible to watch! One day, as the ghost looks out a window, it sees another ghost waving from a nearby house. Both can communicate without speaking. And we, the audience, can read the subtitles of their conversations. The ghost is not always quiet. It can be angry, like when she brought a date home. And then she moves out. But before she leaves a message in a crack in the wall. The ghost remains in the house. It stays there watching new tenants come and go. The house may not even be there anymore, but the ghost will remain in the same location. The crazy concept for this film is not as crazy as the facts that David Lowery makes it work. Yes, it is slow. But that’s what gives the films some of it’s beauty. Long shots of the immobile ghost (Yes, it is really Casey Affleck under there) looking into space or, in an earlier scene, the couple cuddling in bed. These long, quiet moments are spellbinding. I was mesmerised by the slow magic pace of the film. This old romantic idea of the sheeted ghost, brings us back to a time when things were simpler. And that’s Lowery is doing: keeping it simple. The acting from Mara, Affleck and the others are what I would describe as minimalist. There is not much dialogue. In mid-film, there’s a rant by a new tenant (exquisitely and annoyingly delivered by actor Will Oldham). After that monologue you are happy to go back to silence. Lowery has filmed in the reduced 1:33:1 screen ratio. It’s like a square that may recall 33mm. The Daniel Hart score often sounds like a string quartet. Helped by Andrew Droz Palermo’s cinematography, A ghost story feels like you are walking in a dream. You should know that since he could not find a studio to produce it, Lowery forked in the money himself. And so far, it’s my favourite film of 2017.
A ghost story