The midwife (Sage femme)

At 73, Catherine Deneuve is still stunning us with those gutsy performances film after film. In Sage femme, Deneuve co-stars alongside Catherine Frot. Frot plays Claire, a compassionate and devoted midwife. Warm and emotionally invested when she’s helping women giving birth, Claire is cold and distant in private. Then one day she gets a phone call from Béatrice (Deneuve). Béatrice was Claire’s stepmom more than 30 years ago. But Béatrice is the last person Claire wants to see. Béatrice caused a great pain to Claire’s dad when she left him without warning or explanations, so Claire is understandably resentful. At the first meeting, Claire tells Béatrice to leave her alone, she does not want her back in her life. But Béatrice won’t be so easily dismissed. Then Claire learns that Béatrice has a brain cancer. Now Claire feels she has to help Béatrice. But Béatrice is a mess. She smokes too much, drinks too much and should not eat red meat, according to Claire. Beside that, Béatrice is a compulsive gambler. You see her going to some seedy poker game, actually winning a lot of money. When Claire disapproves, Béatrice tells her to leave her be, she wants to live. And Béatrice starts rubbing off on Claire, who finds something she had denied herself for far too long : love. Claire boyfriend’s name is Paul (Olivier Gourmet). The fun of a film like Sage femme is to watch those two brilliant French actresses together. Catherine Frot’s precise, almost clinical acting, contrasts Deneuve’s impulsiveness. Every thing her character does seem to happen suddenly, as if Deneuve was improvising. It is real, she’s the real deal. Sage femme is also notable for beautiful, most realistic births I have ever seen in a fiction film. It makes you want to live life to the fullest.

Rémi-Serge Gratton


The midwife (Sage femme)


Directed by:
Martin Provost

Screenplay by:
Martin Provost

Catherine Deneuve
Catherine Frot
Olivier Gourmet
Quentin Dolmaire
Mylène Demongeot

117 min.

In French with English subtitles.


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