Albert Dupontel’s explosive adaptation of Pierre Lemaitre’s Goncourt-winning novel makes you think you are either watching a film by Jean-Pierre Jeunet (Delicatessen, The city of lost children, Amélie, and most blatantly A very long engagement) or reading a comic book (AKA graphic novels). The film’s early scenes are a good cue of we are to expect later. In the World War I trenches, we meet Albert Maillard (Albert Dupontel) and Édouard Péricourt (Nahuel Pérez Biscayart). The sadistic and murderous Lieutenant Pradelle (Laurent Lafitte) orders an assault and sends his soldiers to battle. What follows is one of most beautifully choreographed war battle. Maillard almost dies but is saved by Péricourt, just before he is hit himself by an explosion. At the hospital, with Maillard at his bedside, Péricourt discovers that he has a gaping hole where his mouth used to be. Unable to sustain the pain and wanting to escape, Péricourt asks his friend to get him some morphine. Maillard steals the morphine anywhere he can. Péricourt is an artist who was disowned be his rich father (the always marvelous Niels Arestrup). He pretends to be dead and spends his days creating a series of colorful and campy masks to hide his disfigurement. To make money Maillard and Péricourt plan to sell phony war monuments to honour the dead soldiers. Meanwhile, Lieutenant Pradelle is back and he is as mean as ever. This is a spectacular film with excellent production values. Nahuel Pérez Biscayart spends most of the film behind masks with his voice only coming in growls and grunts. This is impressive mime acting. Au revoir là-haut is not to be taken too seriously and is a lot of fun to watch.
Au revoir là-haut (See you up there)
Albert Dupontel and Pierre Lemaitre
Based on the novel by Lemaitre
Nahuel Pérez Biscayart
In French with English subtitles