In Film stars don’t die in Liverpool, Annette Bening plays Gloria Grahame, a Best supporting actress Oscar winner in 1952 for The bad and the beautiful. The film is based on the memoirs of Peter Turner (Jamie Bell), a young British actor who became Grahame’s lover in the late 70s. There was close to 30 years difference between them. In 1981, soon after their break-up, Turner gets the news that Grahame is ill. She collapsed in her dressing room as she was about to go on stage in The glass menagerie. Turner goes to see her and he learns that she refuses to go to the hospital and does not want chemotherapy. All she wants is to go to Peter Turner’s house in Liverpool where she knows that Peter’s family will take care of her. Peter’s parents, Bella and Joe (Julie Walters and Kenneth Cranham) are happy to help their friend Gloria but, along with Peter’s brother, Joe Jr. (Stephen Graham), they think that she should call her children and her doctors in New York. As Peter is making the decision to call them, he remembers the beginning of their love affair. Director Paul McGuigan’s flashbacks are so compelling. It’s like Turner sees his memories. He peeks through a door and peeks, literally, into his remembrance. You don’t often see the “young man in love” as very compelling characters. Those are usually the most boring characters. But there is such an emotional investment, both physical and intellectual, from Jamie Bell that we can’t help cheering for Peter Turner. The film is conceptually quite beautiful. I was surprised to see several scenes with rear projections matte paintings, methods that were in use in movies until the 1960s. It’s as if McGuigan wants to underline that Gloria Grahame was a 40s and 50s movie star. In 1981 her best year are behind her, that’s true. But the way Bening plays her, she’s still a star. Actually, Bening is a star playing a star. Whether she’s dancing disco with Peter or dying of cancer in bed, Gloria Grahame was a star. At some point Matt Greenhalgh’s screenplay switches the flashbacks from Peter’s point of view to Gloria’s. At that moment Annette Bening becomes a tragedienne. A tour-de-force acting from both Bell and Bening.
Film stars don’t die in Liverpool
Based on the memoir by Peter Turner