August 1945 in a small Hungarian village. It’s a special day for town clerk István (Péter Rudolf), who’s marrying his son, pharmacy owner Arpad (Bence Tasnádi). But Arpad’s drug-addicted mother, Anna (Eszter Nagy-Kálózy), is not happy about the marriage. Anna knows that the bride, peasant girl Kisrózsi (Dóra Sztarenki), is only marrying her son for the money, and that Kisrózsi is still having sex with her ex-fiancé, handsome hunk Jancsi (Tamás Szabó Kimmel). In the middle of all this drama and the wedding preparations, István gets news from the train station master of the arrival of two Orthodox Jews. The whole village goes into a state of paranoid panic. There were Jewish families before the war, but the Nazi send them to the concentration camps. Some of the villagers were quick to grab their properties and everything else they could. The pharmacy doesn’t really belong to István or his son Arpad, it belonged to one of the Jewish family. And now everyone is afraid that the two men, who arrived by train with two wooden boxes, are survivors there to claim what was stolen from their families. A defying István seems ready to do anything to keep the things he says are his. Village drunk Bandi (Jozsef Szarvas) feels so guilty he wants to give everything back. Not so with his wife (Ági Szirtes) who starts hiding things in the basement. This is a very good film with a seldom told story about collective guilt and shame. Ferenc Török doesn’t make the mistake of political correctness, because political correctness did not exist in 1945. So the general discourse is anti-semitic. Török keeps up the tension and the suspense, as he keeps the villagers, and us, guessing. It was shot in beautiful black-and-white, and the ensemble cast of unknown is excellent.
Gábor T. Szántó
Adapyed from The homecoming, a short story by Gabor T. Szanto
Tamás Szabó Kimmel
In Hungarian and some Russian with English subtitles