Agnès Varda, the French Nouvelle vague director is now 89-year-old. Her latest film is Visages villages, a documentary feature she co-directed with 34-year-old photographer and visual artist JR. Together they travel through France in a small truck. Photos have been glued on the truck to make it look like a camera, with a big camera lens. As the tittle suggests, Varda and JR are going to French villages (places) and taking photos of the people living there or the workers at the local plants (faces). JR’s truck is a photo lab on wheels. There is a photo booth where people can sit and have their pictures taken. On the truck there is an opening through which giant prints of the photos are coming out, a bit like the old Polaroid. Once JR gets the giant photos, they are glued or pasted on houses, buildings, water tanks (fishes), trucks, trains (a giant pair of eyes) and anywhere really. Old photos of miners are glued on their empty houses before they get torn down. Janine, who is refusing to move out, has her face glued next to her front door. Her reaction when she first sees her face pasted on the house she will soon have to vacate is one of the highlights of this film. But there are others: the three wives of dock workers at the Havre, have their photos put up on a of pile of containers. The women sit in containers opened under each of their giant faces. The effect is spectacular. It is clear that Agnès Varda and JR enjoy each other’s company, even though Varda constantly teases JR that he ought to remove his sunglasses because she wants to see his eyes. Together, they are fun to watch. Visages villages shows that art and beauty does not only belong to museum and galleries. It can be done anywhere. It can illuminate every villages and that all faces and people are important. This charming film is one of my favorite this year.
Plays at Ottawa’s ByTowne Cinema from November 17 – 22
Visages villages (Faces places)
In French with English subtitles