The first image is quite striking and quirky. We see middle-aged Thana (Taneth Warakulnukroh) on a Thai road trying to hitch a ride for him and his elephant. Thana was depressed when he found Pop Aye the elephant (Bong, the elephant/actor, if such a thing exists). A prominent architect in Bangkok, Thana has been demoted by the firm’s young new owner. And his wife, Bo (Penpak Sirikul), has replaced Thana in the bedroom with a sex toy. Then Thana sees Pop Aye, the elephant he was playing with when he was a child back on his family farm. Thana sees that Pop Aye is mistreated by his owner and decides to buy the elephant. Thana’s plan is to bring back Pop Aye to the rural village where they grew up. The farm is now owned by Thana’s uncle Peak (Narong Pongpab). On the road with Pop Aye, Thana whistles the I’m Popeye the sailor man song from the old animated series. Along the way Thana gets arrested by two cops who say he’s not allowed to have an elephant as a pet. They somehow all finish the night at a karaoke bar where Thana befriends Jenni (the intriguing and mysterious Yukontorn Sukkijja), a transgender prostitute. Thana even sings a song with Jenni. This is an unusual absurdist comedy-drama with lots of charm. The only problem might be some of the flashbacks. They make the film more confusing than it needs to be. Singaporean filmmaker Kirsten Tan’s début feature is full of nostalgia and characters who feel the passage of time weigh on them. Excellent actor Taneth Warakulnukroh is better known in Thailand as popular rock star. And Bong the elephant does everything that is expected from an elephant.
In Thai with English subtitles.