Emmanuel Mouret’s Mademoiselle de Jonquières is an exquisitely fluffy comedy of manners and revenge set in 18th century, France. It stars the marvelous Cécile de France as Madame de La Pommeraye, a young, attractive widow. Spending most of her time on her lavish country estate, Madame takes long walks in her garden with the Marquis des Arcis (Édouard Baer), a houseguest who doesn’t seem to want to leave. Madame knows very well that the Marquis is wooing her, but she finds his attempts amusing. Besides, she enjoys the long conversations they have, and the attention of course. Madame’s friend, Lucienne (Laure Calamy), warns Madame about the Marquis. If she is to become his lover, eventually he will leave her at the first opportunity and go to his next conquest. Madame de La Pommeraye dismisses Lucienne’s warnings, and starts an affair with the Marquis. But Lucienne was right. The Marquis des Arcis tells Madame that he has fallen out of love, but they should remain good friends. She tells the Marquis that she agrees, but she’s terribly vexed. To exact revenge, she hires the help of Madame de Joncquières (Natalia Dontcheva), a woman who was seduced, scandalously became pregnant and had to prostitute herself to feed her daughter, who also became a prostitute. That daughter is the Mademoiselle de Joncquières (Alice Isaaz) of the title. On Madame’s instructions they are to pretend to be religious devout. Madame arranges for the Marquis to meet them, hoping he won’t be able to resist the (false) virgin Mademoiselle. Mademoiselle de Jonquières is inspired from characters in Denis Diderot’s Jacques le fataliste et son maître. It is a lighter, fun version of Les liaisons dangereuses by Pierre Choderlos de Laclos. It is a talk fest, a genre of film that I don’t always enjoy. But there is something here that I found irresistible. There is the snappy dialogue and the acting from the two leads. Cécile de France smiling eyes, Baer’s passionate performance. Mouret and Laurent Desmet, his cinematographer, made the brilliant decision to set most of the exteriors, most of the film in fact, in bright and sunny French gardens. The camera has been pulled back to reveal the characters surrounded by spectacular landscapes. The film is at times cruel, yes, but it is also very funny. Mademoiselle de Jonquières is a joy to watch.
Mademoiselle de Jonquières
Based on the stories from Denis Diderot’s Jacques le fataliste et son maître
Cécile de France
In French with English subtitles.